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Jumping on the open-back halter bandwagon (hey, we’d get on, too), picks a gray Gucci Première design with a gunmetal-hued bodice embellished with beads, sequins and floral accoutrements at the neckline.
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Our reaction to teal Calvin Klein Collection gown was similar to this duckling, but at least from the back, there was a slightly more interesting Y-shaped strap.
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We weren’t totally won over when we saw this ensemble from the front, but as soon as turned around to show off the completely open back of her short-sleeved Dior dress and surprise skinnies, we bowed down to her style.
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Someone got the lace memo. has a dramatic moment in a high-neck sheer dress that looks even better going than coming thanks to the open back.
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How do you get yourself trending on Twitter? Wear a gown like this. The nominee has everyone buzzing thanks to a two-tone red halter with a dramatic train and a plunging neckline her American Hustle character would surely approve of. (That braided updo and crystal pendant only add to the buzzworthiness of the look.)
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She may be at the Globes to present, but looks like she could pass for an award statue herself in a shimmery allover-beaded Tom Ford halter with subtle sheer cutouts on the bodice. And check out how the gold chainlink on the neckline of the dress – that turns into a crisscross in the back! – coordinates with her snakeskin clutch.
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We don’t know if this is better from the back (that’s your decision to make), but strapless black-and-pink Carolina Herrera gown with that voluminous rear bustle is certainly bigger from the back.
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She must be exhausted. Because this Emilio Pucci gown with its gold-and-platinum beaded and crystal-embroidered sleeves, sides and back looks like it weighs a ton. (Though at least the cutouts at the neckline and rear relieve her of some weight.)
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Symmetry is overrated, and Amber knows it. She stuns in a navy-blue Atelier Versace gown with a sash-like neckline that crosses over her back, a crazy-high slit up her left leg and draping at her hip.
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The Globe winner said she “feels 30” and after seeing her in this skin-baring metallic Reem Acra halter that dips so low in the back that it almost meets with the high center slit, we can’t really argue with her.
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She may not have won a Globe for her role in Breaking Bad, but Anna has no trouble stealing the spotlight in this pink-champagne Donna Karan Atelier gown, which features an architectural strapless neckline in the front and a deconstructed bow and major train in the back.
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While we recover from the embellishment overdose we’re suffering from after seeing black-and-pale-pink Prabal Gurung creation, vote on which angle the sheer-paneled number looks best from.
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